High-End Home Design, Art on Show at The Salon New York
It has been called New York'south "fanciest"design show — The Salon Art + Blueprint is special considering information technology melds the often-separated high-end art and design sectors into one magnificent event. The bear witness features groundbreaking new designers alongside well-known masters, iconic vintage pieces right next to new, mod creations. As usual, it was hard to just pick a few highlights, so nosotros've rounded up more than 30 pieces of art and piece of furniture that we loved.
Starting time is this astonishing credenza from the Amman Gallery. The piece is covered in hand-tooled leather that has been transformed into a stunning perforated pattern. The Huixcolotla Console from Angulo Cero is inspired by Mexican folk art that uses perforated newspaper, but here the craft is masterfully rendered in leather. Marble and brass make upward the other components of the chiffonier.

A small table lamp from Bernard Goldberg Fine Arts overjoyed us correct away. The vintage piece has a modern industrial vibe that would fit well in today's stylish decors.

With regard to design masters, Geo Ponti is an icon. Ponti created this rare pair of chests in the 1950's for Singer & Sons. Karl Kemp Antiques presented the lustrous chests, which are crafted from walnut, and are displayed alongside a limited edition mirror from Jaques Goldstein washed in bronze. The mirror is ane of viii created in 2012 and signed past the creative person.

The Cristina Grajales Gallery of New York showed this spectacular cabinet by French designer Christophe Côme. The wrought iron piece features milky drinking glass rondels with white gilded and moongold leaf. Côme started as a sculptor and jeweler simply soon turned his talents to sculptural furniture and lighting. Nosotros think this "Wrought" cabinet has an otherworldly feeling.

This quirky floor torchere from London'south David Gill Gallery is the "Toledo" by Garouste & Bonetti. The design duo is based in Paris and is known for "implanting uncertainty" with their pieces because "good gustatory modality really bothers the states a lot." The body of the lamp has almost a cartoon-like anthropomorphic shape that is emphasized by the elbows in the artillery that hold each individual shade. The fixture is made from is black lacquered fibrous paste and the arms are finished in gilt foliage.

As fans of Maria Pergay, we were delighted to see her 1968 Ring Chair chair in the Demisch Danant booth. Pergay is Cuban-built-in and known best for her work with stainless steel. This chair has been referred to as her "calling menu" and is a superb example of her sensational piece of work with this traditionally industrial material.

This minimalist "Distortion Bench" was created by Lebanese designer Najla El Zein. Presented by Freidman Benda, the piece is constructed from cobweb-reinforced concrete and foam. When viewed from a normal angle, the bench appears to have a polish hump, merely if viewed from above, the protrusion casts a shadow that looks like a distortion in the flat demote.

While there were much splashier pieces in the Galerie BSL booth, this slight and rounded chair exuded plenty of way. The Hue Chair past Studio MVW has cloth upholstery and a brass anodized stainless steel frame. The rosy color of the contumely finish highlights the elegant arcs that make upwards most of the chair. It's very unproblematic simply extremely hit in its tranquility elegance.

Galerie Chastel-Marechal showed this rare golden and black console by Jacques Adnet paired with an outstanding example of mirrors created by French designer Line Vautrin. The "Tortillons" mirror is very rare and was made around 1960. The round mirror is framed past twisted protrusions that are inlaid with small squares of silver mirror. Christie's auction house chosen Vautrin's works the "paradigm of Parisian Neo-Romantic chic."

Another Line Vautrin mirror was shown by Maison Gerard.

A modest and colorful table past Dutch designer Hella Jongerius is important for its unique layering of limited color glazes on clay that results in new and unexpected hues. Each tile features a department that is covered in glaze juxtaposed with the remainder of the tile that is in its natural state. Jongerius is known for her "masterful use and understanding of colors, materials and light." The piece was presented past Gallery kreo.

Equally large lovers of texture, nosotros could non take our eyes off of these wondrous wall panels in the Galerie Negropontes berth. French creative person Etienne Moyat has "tamed the language of the fire" to create these wonderful wall pieces as well as effects. Carved, sweeping arcs are matched with with more subtle linear textures. The wood is so burned to create more visual depth before being polished to a rich luster. It's the perfect exemplification of a feature wall.


Such a cool slice booth: Gallery ALL of Los Angeles presented a range of works, many of which were created by Zhipeng Tan. The Chinese creative person'southward furnishings are all rendered in metals. The meticulously detailed scene included in the Colosseum Java Tabular array is by Po Shun Leong and is made of mixed forest materials.

The "Melting Console" is part of the 2017 Lotus Collection by Zhipeng Tan. The contumely console is made using lost-wax casting, which Tan uses extensively in his work. The forms he creates range from environmental, such every bit roots and water droplets, to figurative representations such equally spinal cords and pelvic designs.

A constant oversupply of people stood in anaesthesia at this piece of work by artist Rowan Mersh. The Asabikeshiinh Four (Dreamcatcher IV) looks like a textured painting from afar, but on closer inspection is a painstakingly stitched geometric piece consisting of sliced turritella shells. The ombre shades that ebb and great throughout the work are stunning and evidence of his experience with experimental textiles. Presented by Gallery Fumi, it is suspended from the ceiling much equally a regular dreamcatcher would be.


Gallery Fumi also had this remarkable table by Italian designer Francesco Perini. The unique aspect of this tabular array is that it is marble inlaid with wood. Perini is known for his sophisticated furniture and refined marquetry techniques. His firm makes special pieces for high-end homes and is also a laboratory for new modes of creating works that bring together wood, stone, obsidian, marble, iron and glass.

Not just visually arresting, this astonishing faceted cabinet from the Garrido Gallery has a unique construction where the front leg of the chiffonier moves with the door. The Tall Mineral Commode is made of walnut finished in nickel plated brass. The expert workmanship is evident in the lack of detectable seams anywhere on the cabinets.

David Nosanchuk's Butterfly Asteroid tells the story of the meeting of the Limenitis Arthemis Butterfly and the Itokawa Asteroid (25143)." Presented by Hostler Burrows, the piece features bodies of collywobbles made from solid bronze that were created with 3D scans of a existent butterfly. The wings are made of laser-engraved beech veneer. It'due south a magnificent sculptural light that also provokes chat and wonder.

Ceramics are enjoying renewed interest these days and when they are as complex and attractive as this "Swirling Vessel" past Sakiyama Takayuki, information technology is no wonder. Represented by Joan B. Mirviss LTD., the astonishing texture of the stoneware piece comes from hand-carving that is done inside and out. Not surprisingly, his piece of work is inspired by the body of water and waves. Information technology'southward astounding how these vessels, made of rigid stoneware, can evoke a feeling of elegant motion.

A lovely trompe fifty'oeil commode has a very fun, whimsical design painted on the front end. The cabriole legs end in gilded hooves and the piece is topped with gray veined marble. Designed in the 1940'southward in France, the piece is from Maison Jansen and was presented by Liz O'Brien Editions.

Lost City Arts, which is known for its office equally a leading source of 20th century design and fine arts, presented this lovely living room, centered around the java table by Philip and Kelvin Laverne. The custom table is sculpted bronze relief and features an organic shape and texture from a technique that Laverne rarely used. Information technology was deputed in 1969 by Columbia University as a souvenir to a philanthropist.

The Magen H Gallery of New York had this funky cabinet. More than than 1 person was overheard proverb that they wanted to clamber inside! The rounded front end doors slide to open up the compartment and the modest beige frame of the cabinet keeps it slim looking. While functional, its shape, blueprint — and primarily its size — make information technology a statement piece as well.

The star of the Magen booth was this screen by Pierre Sabatier chosen "Mur Vivant 70". The imposing piece of copper and contumely was created circa 1970 and earned him him corking notoriety. In fact, it was his larger pieces that garnered the most attention for the French sculptor, who was interested works that focused on functional design besides equally art for fine art's sake.

Matthias Bengtsson's Growth Chaise Longue, presented by the Galerie Maria Wettergren, is a like a tangle of alien vines set to receive your reclining form. Fabricated from cast bronze with a black patina, the slice was created using 3D molds. Bengtsson is know for his "unorthodox methods" and ability to blend craft skills, technology and mechanical means to push the boundaries of 3D design.

Modernity of Stockholm presented this classic grouping that includes the Mix piece of cake chair by Kaare Klint and Edvard Kindt-Larsen for Rud. This particular example was fabricated in the 1950'south and is paired with a stained birch and pewter occasional table past Nils Fougstedt for Svenskt Tenn from 1933. Atop the table is a lamp by Poul Henningsen for Louis Poulsen made of lacquered copper shades and a frame of bronzed brass.

We've seen plenty of reproductions of the Panton chair, but information technology was really exciting to run across (and sit down in) originals like these from Modernity. The iconic plywood chairs are set around a table designed past Helge Brandt for Knud Juul-Hansen in the 1950'due south. The peak adjusts and it features a circular teak top that has a removable tray with brass inlays.

This bench from the Sarah Myerscough Gallery is really something. It was made past French-born and British-based artist Marlène Huissoud, who assembles thousands of silkworm cocoons to create the form of the work. The cocoon construction is then covered in a layer of natural honeybee bio resin. This particular piece was so cast in metal.

Perennial fans of Christopher Duffy's tables, we think the Abyss is a beautiful coffee table. The wood, resin and glass construction mimics the relief at the bottom of the ocean. The layers and undulating "landscape" inside are an aesthetic combination of materials.

Milan's Nilufar Gallery showed this awesome 1950's dining table that has a donut shape. The pinnacle is really glass, so the pigsty is merely an illusion. The chairs surroundings the table like petals of a bloom, probably considering they were designed just for this detail table. The softly squared chair backs are really very nice and emphasize the petal-like arrangement.

Priveekollektie is always a draw for its amazing digital wall fine art, and this year's Salon was no exception, However, yous had to get by these towering, oversized teapot constructions first. This is the Studio Task model of Pyramids of Makkum from Royal Tichelaar Makkum in the Netherlands. The tall structures are similar a cross between traditional porcelain and something out of Alice's tea political party.

We honey this living room past R and Visitor, which is centered around the "Bocca" Sofa from Studio 65 in Italy. The sofa was get-go produced in 1870, but this piece is from 1986. Across from the sofa are iii "Puffo" stools from Gruppo Sturm, too an Italian company. Made in 1968 out of light green polyurethane, they are a like bonbons aslope the lips.

Produced by a more technical method than many other items at the testify, these are vessels from theWedgewouldnt collection by British artist Michael Eden. They are made with a 3-D digital process that uses a loftier quality nylon material with a soft mineral coating. They are even more attractive because they are rendered in neon bright hues, rather than the muted colors used in traditional Wedgewood piece. They were role of the offerings by the Adrian Sasoon Gallery.

The Wexler Gallery of Philadelphia showcased this very comfy-looking sofa called the Orbital Sofa past Harow. Made of bronze and leather, information technology has the experience of a hammock with the style of a mid-century mod piece of furniture. Alongside is the Methodology Table by Timothy Shreiber, crafted from bandage and polished bronze.

So many beautiful pieces, so piddling fourth dimension! The Salon is always a fantastic place to peruse top of the line art and blueprint and imagine where in your own habitation the pieces would work. The prove is a masterful mix of modern and antique that really works. We're already looking forward to adjacent twelvemonth.
Source: https://www.homedit.com/the-salon-art-design-2017-highlights/
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